• PTAB Inter Partes Review Consultant – Sample Declarations and Reports Featured

    As an Inter Partes Review Consultant, I draft declarations and assist my clients in Federal court and PTAB.

    I have experience assisting clients from startups to major corporations.  

    In general, IPRs are now used as defense during patent infringement cases.  During the IPR process, we will be  evaluating prior-art and preparing reports for either a Patent Owner or a Petitioner.  Invalidity and infringement will have to be considered as both could be greatly affected by the IPR process, and in many cases terms and claim construction rulings may have an effect that our experts will consider.

    An “Inter Partes review” is defined as:

    Inter partes reviewis a trial proceeding conducted at the Board to reviewthe patentability of one or more claims in a patent only on a ground that could be raised under §§ 102 or 103, and only on the basis of prior art consisting of patents or printed publications (more info)

    Trial Petition Process

    The PTAB Board will first determine if the trial will be “instituted” and whether or not the “Petitioner” has sufficient grounds, or “if reasonable likelikhood standard” is met.  The “Patent Owner’s” response to the initial filling (Preliminary Response) is considered as part of this decision. Once, the petition has been instituted, additional declarations will be required for the board to review and used by your counsel arguing a defense or requesting a claim or claims to be invalidated. The USPTO has the following flow chart: 

    I can assist your attorney in all filings, and you can hire my services as an expert or “Inter Partes Review” consultant. 

    Some examples analyzed in my blog are: “Music Choice IPR” , “Expert Witness Assistance” , and  “Mr. Grecia’s IPR” 

    Selected IPR Declarations and Reports

    A sample declaration filed in IPR2019-01014, not instituted for our client, MULTEMEDIA CONTENT MANAGEMENT, LLC

    Selected Expert Reports

    In a TCPA case against Vehicle Agency and AT&T, and in the notice of “Filing of Expert Report and Identification of Key Portions Answering the Court’s Questions by Vehicle Agency, LLC” for a TCPA Case.

    Many reports were nominated “HIGHLY CONFIDENTIAL” and are not available to the public.     

  • Damages Report Admitted Featured

    A new KPI-based Damages Model (Damages Report) is introduced in this article. This KPI-based Damages Model and analysis works when Panduit testfails for a computation of loss profits and only works for a reasonable royalty damagers model. 

    I personally submitted a damages report in a the case: Mobility Workx, LLC vs Cellco Partnership aka Verizon Wireless in the E.D. Texas, and Judge Mazzant ordered me to present it to a jury which means a Daubert challenge was made and survived..

     The model I created for damages (Damages Report filed with the court) can be used for many technology disputes where “Key Performance Indicators”  (KPI-based Damages Model) are measured to map a business performance, and how and what intellectual property maps to the revenues generated by a business and its performance. 

    My report mapped,  a KPI-based Damages Model fits perfectly with KPIs from ETSI Specification “TS 32.451 Version 8.0.0 Release 8”  describing the following subcategories:

    • ➡ Accessibility
    • ➡ Retainability
    • ➡ Integrity
    • ➡ Availability
    • ➡ Mobility

    Judge Mazzant accepted my report due to my experience at Motorola and all my overall resume working with startups, licensing deals, and being part of multiple patent and technology licensing agreements that involved companies like Qualcomm, Google, and many others.

    For example, TS 32.451 contain several KPIs for LTE Systems or E-UTRAN and you can map an Intellectual Property piece to one or several subcategories, and then from that category you can then establish the proper proportion of what an intellectual property maps to, which means that clearly a percentage of the revenues that a company generates can be mapped to a certain technology. 

    Key performance Indicators are part of not only 4G LTE systems but are found in most technological systems.  The process is presented in the following areas.

    In summary, one can say that many KPIs have a mapping to revenues, and that’s how companies can value performance to value.

    Revenues to KPIs

    Once these mappings are determined, which all KPIs may offer the same proportion of value to the generated revenues of a corporation, then one can map the features of a patent portfolio to one or many KPIs and create a weighed average of contribution to the KPIs and hence to the revenues.

    In the following charts, I represent that maybe a single patent or IP maps to a KPI which equates to a percentage of the revenues, let’s say it is 20%. Assume for a second that the KPI category contains 20 parameters, that for simplicity will be equally weighted.  As such, the technology where damages are being calculated corresponds to 2 parameters let’s say, hence a 10% of the KPI is then affected or benefited by the patents or technologies. 

    Setting up a royalty rate, of let’s say 3% to 5% seems reasonable and affects only the percentage of the revenues a KPI is affected by the patents. Hence, there is no dispute on how much effect a patent or an IP affects a business model.  

    Royalty Calculation KPI

    KPIs are usually defined by the defendant or an industry-defined, like in LTE, and each are granular enough that a mapping between a patent portfolio and /or an intellectual property can be mapped to. 

    As such a simply royalty yield of 5% can be used to compute an overall royalty that only affects the revenues generated by let’s say LTE Revenues for example, or any other technology with KPIs. 

    if you have any questions you can contact me or hire me to calculate your damages report for  KPI-based Damages Model.

  • Content Monetization for streaming platforms on Cable TV Featured

    Cloud to Cable TV is a way for streaming services or OTT platforms to monetize their content on Cable TV, Satellite, and IPTV systems. 

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  • US Patent 10524002 : Cloud to Cable Portfolio Featured

    As of December 11th, 2019, the USPTO officially issued US Patent 10524002 covering aspects of Cloud to Cable TV that were not covered in the initial patent. I received a notification today of my 12th issued US Patent and hopefully more to come in the coming years.  

    ...
  • Cloud Computing Expert Witness Featured

    December 20, 2019 eglacomm Expert Witness, IPR, Patents

    EGLA can provide my expert witness services to assist you in matters that include: Inter Parties Reviews and Patent Trial Appeals Board (PTAB and IPR Expert Witness), Patent and Technical Expert Witness, and more

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  • Second Patent Allowed for Cloud to Cable TV Portfolio Featured

    A 2nd set of patents were allowed on September 3rd, 2019 and that means that several claims that cover MPEG and HTTP Live Streaming broadcasting.

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  • Cloud to Cable Innovations Featured

    Cloud to Cable  Innovations are always Great News !! Not even a month ago, the US Patent 10,123,074 and US Patent 10,524,002 was issued covering many elements used in "Cloud to Cable TV."   Our  Cloud to Cable platform makes it really easy to broadcast music channels, video channels, video on demand (VOD), and any other multimedia streaming format to millions of subscribers in IPTV, Cable TV, and Satellite providers.

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  • Cloud to Cable TV Patent Issued under US Pat 10,123,074 Featured

    EGLA commercializes Cloud-to-Cable platform and technology that merges the worlds of cloud and Cable TV.  Our founder filed for a patent in the US and Europe for the methods and system called: "Method, system, and apparatus for multimedia content delivery to cable tv and satellite operators " now protected under US Patent 10,123,074 that will be published and formally issued on November 6th, 2018. 

    ...
  • Our Cloud to Cable Patent and Technology Featured

    Cloud to Cable TV Patent and Technologies used for music, TV, and Video broadcasting in DVB Systems, MVPD, and MSOs ...
  • EGLA Tech Incubator – July 15th News Featured

    EGLA's technology incubator news in Boca Raton, FL.. Blue Dog Data Services signs a deal with d-Tools and EGLA amplifies its reach with Palm Beach Tech ...
  • Music for Cable TV Offering and MVPD Distribution Featured

    Music for Cable TV is a unique service for MVPs, OTTs, and Cable Operators around the world offering 25, 50, 100 music channels to subscribers worldwide

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  • NEXTGEN TV, ATSC 3.0 and CLOUD TO CABLE.

    Introduction 

    I will discuss what I learned about ATSC 3.0 at CES 2020.  Surprisingly, this technology compares and matches “Cloud to Cable” patents and claims. 

    ATSC 3.0 and NextGENTV were the main attractions at CES 2020. I attended CES 2020, and it was awesome, you can check out TECHEDTV for more videos .  CES stands for the “Consumer Electronics Show” and this show is held in Las Vegas, NV ( =from 7th January, 2020 to the 10th).

    Hence, for a few days, the “Las Vegas Convention Center” and other locations become a technology Mecca of the world.

    ATSC 3.0 and NextGENTV were notoriously important at CES 2020  Just last week, I visited several booths with 8K TVs and ATSC 3.0 receivers. The image quality is just amazing,  The NEXTGENTV’s or ATSC 3.0 standard is what powers this new experience.

    ATSC 1.0 is the first version of the technology that brought high-definition broadcasting. HD TV is done in 720p and in a few cases in 1080p formats, the old standard was implemented using a video encoding technique called MPEG-2 which is made by the Motion Pictures Expert Group or MPEG.

     

    In a way ATSC 3.0 is a major evolution from ATSC 1.0 to what is called today, as what ATSC 3.0 brings is, web apps over the air. Yes, you heard it, your television set will connect to an IP-based link over your rabbit ears at home and will then display web widgets, video, and audio at customization levels that have been unheard of today.

    ATSC 3.0 or NextGenTV fixes ancient broadcasting technology by:

    • Adding an IP-layer of broadcasting to your TV set, in other words, your TV will be connected to an internet link
    • Each stream will include customization for audio, videos or multiple video streams, and basically you will be able to see what the CBS Application will display in your iPad, but on your TV.
    • The Broadcasting platform renders all the web widgets, video, and audio in your television set.
    • The video quality will be in 4K, which is much higher than most HD TVs out there , and indeed better quality. The audio as well will include Dolby AC-4 that support surround sound and many other sophisticated features including multiple audio programs.

    In may ways ATSC 3.0 comes to compete with Cable TV and Satellite, and potentially with many “Over-the-Top” offerings, as you could in general also download customizable content to your TV using the broadband network.

    Protocol Stack of ATSC 3.0
    Source: https://www.atsc.org/wp-content/uploads/2016/01/Fig3.jpg

    In summary, the figure above shows that the applications are written in  HTML5 and that all that  connects Video, Audio, or Close Captioned in multiple forms and is ready for broadcasting.  

    The MPEG or DASH, encodes the video audio and HTML, and uses MMTP and ROUTE protocols for an UDP multicast or unicast, as it can also service the same content using HTTP.

    MPEG or Multimedia Multiplexing Transport Protocol (MMTP) is a MPEG standard. It consists of Media Processing Units (MPUs) wrapping ISO Base Media File Format (BMFF) files with metadata for broadcast delivery.

    And ROUTE which is another protocol is defined as:

    ROUTE is Real-time Object delivery over Unidirectional Transport. It allows for a source and a repair stream in the ROUTE environment.

    Moreover, these two protocols offer a multicasting system for over-the-air broadcasting, which resembles what you see on Cable TV and Satellite systems. In deed, the ATSC 3.0 ‘specification includes and defines ways to use multicasting address as 239..*.*.*, that are out of the scope of this document.

     

    Cloud to Cable Patents and ATSC 3.0 or NextGenTV

    Interesting enough to say is that the US patents 10,123,074 and US Patents 10,524,002 cover all aspects of ATSC 3.0.

    As a consequence, I will not go into great deal but in comparison, we can review the specification of my patents and the claim language. As a rough summary:

    • ATSC 3.0 renders a webpage and creates temporal screens
    • ATSC 3.0 uses a multicast and unicast Transport to transmit the stream
    • Audio and video and html are all rendered simultaneously
    • ATSC 3.0 embeds metadata in the MMTP or MPEG stream
    • Encoders and software elements are embedded at the tower for broadcasting
    • Cloud to Cable renders a page and create temporal screens of he rendered pages.
    • Cloud to cable uses a multicast and unicast methods to transport the stream.
    • HTML, video, and audio are all rendered simultaneously
    • Cloud to Cable TV also does embeds metadata into the MPEG packet
    • Cloud to Cable TV places an appliance that broadcasts all signals to the clients

    Time needed: 2 hours and 30 minutes.

    How Cloud to Cable TV works

    1. TV Channels as Web Pages

      In ATSC 3.0 or NextGenTV, and on CloudtoCable TV, TV channels are web pages that are rendered and broadcasted as MPEG frames on multicast addresses or unicast addresses over HTTP.

    2. Broadcast and Unicast Streaming

      Broadcasting can be done to a Cable TV system or a broadcast station.

    I still do not know how ATSC 3.0 and Cloud to Cable TV will interact, however it is more than clear to me that:

    • Cloud to Cable is ready for ATSC 3.0 or NextGenTV
    • Cloud to Cable is more advanced than ATSC 3.0 as it also brings virtualization to the mix.
  • Increase Content Monetization Opportunities for Video & Music Streaming Services with “Cloud to Cable”​

    Increase Content Monetization Opportunities with Cable TV and Satellite Operators

    Cloud to cable brings your Music, TV & Video content to a different level, raising the value proposition to all your customers. Cloud to cable is the best way to “Amplify your reach®” and more importantly address millions of subscribers in Cable TV operators worldwide. Content monetization is easier with our platform.

    Music and Video streaming is easier with Cloud to Cable TV and all the mobile applications available.

    Cloud to Cable  is a technology designed to broadcast & stream Music, TV, and Video to subscribers in web, mobile applications, smart TVs, and Cable & Satellite Systems worldwide.

    Most of the streaming services now reside in the cloud and are not taking advantage of content monetization with Cable TV partners.

    Cloud to Cable connects multimedia services that reside in the cloud with IPTV or Cable TV operators and viceversa.

    Cloud to Cable TV effectivley opens markets for content monetization with traditional Cable TV systems covering 900M subscribers around the planet.

    Cloud to Cable TVenables quick and easy broadcasting of media content to massive systems found on Cable and Satellite Systems and all mobile and web platforms.

    Cloud to Cable is the true multi-platform experience to broadcast Music & TV channels to all platforms from mobile, to web, to IPTV, and to Cable and Satellite systems all in one-stop shop. Improving your chances of content monetization.

    Now with Cloud to Cable, any cloud-based streaming platform can be broadcasted and streamed to Cable TV & Satellite operators, opening more opportunities for monetization.

    All music and video content will also be available to mobile devices thru our mobile application. Broadcasting is easier in many ways that you never thought possible.

    Cloud to Cable TV is a true multi-platform technology that facilitates broadcasting and monetization to Music, TV, and video owners. We call this “multimevia” experience.

    Music for Cable TV

    An example of Cloud to Cable can be found in “Music for Cable ” . Music for Cable is a product available in packages of 50 to 1000 music channels for an IPTV or Cable Operator.  Music for Cable includes a mobile application, and supporting smart TV apps, and more.

    The content is delivered in a server or several virtual machine instances ready for broadcasting to all your customers and delivered using our Cloud to Cable technology. The server or virtual machines are pre-provisioned with the best music.

    • Latin
    • Merengue
    • Rock
    • Classical Rock
    • Classical Music
    • Guitar
    • Reggae
    • Salsa
    • Tango
    • Techno and Electronica
    • Lounge music
    • Club music
    • Pop
    • Romantic, and more than many more genres

    A server is the best option for a cable operator as it is placed at the headend. You can find the specification ready to download in PDF at Music for Cable Appliance and for more musical line-up offerings, you can reach us at musicforcable.com